
We created these five triptychs for a residence in Hawaii. The murals reflect Hawaiian flowers: orchid, plumeria, bird of paradise, heliconia and hibiscus.



We created these five triptychs for a residence in Hawaii. The murals reflect Hawaiian flowers: orchid, plumeria, bird of paradise, heliconia and hibiscus.


This piece was recently installed at SafeNet Services, a women’s crisis center in Tulsa, OK. The piece was commissioned by Art Collections, Inc. in Tulsa.
The piece measures 54″ w x 108″ h. It is glazed in cashew, pumpkin, adobe, honey, moss, medium jade and bark.
Natalie and her fiance, Nick, recently installed this custom backsplash for a client in Annapolis, MD.
Natalie writes:
Bev and I met five years ago at the American Craft Council show in Baltimore where she gave me a deposit and told me she didn’t think she would ever find the kind of backsplash she was looking for, but had a hunch I might be able to make it for her. I had just started making tiles at that point and the first pieces were small squares with flowers and leaves on them. She was a ways off at that point from having her kitchen remodeled, and a couple of years later finally started asking me for glaze colors and sketches as her renovations were coming to completion. The final renovations took a while to be punch listed, and so we had yet another year and a half to think about design, and for me to create some of the glaze colors that Bev was hoping for. She wanted a purple backsplash. I hoped I wouldn’t have to make a completely purple piece, and in the end we realized that some blue and cashew colors would most suit the beautiful granite countertop fleck tones in the counters she had found.
Last February I finally visited the house, as she was truly ready, and we agreed on colors and concept. I was to work with a painting by Anatole Kraznyansky Russian artists that they had bought while on a cruise. While I said I wasn’t interested in reading directly off this imagery, I was willing to take that image in and bounce off it to create my own feedback loop of imagery in response to this painting. And so I went home to my studio, rolled out white paper, measured out my tile sizes, and then stared at the paper. I stared for a couple of days and found myself quickly filling in images that appeared on the paper as I sat and waited. This was a most enjoyable process and felt very easeful. It was as if these figures wanted to come out on the page and be seen. The energy lines coming off these mythical figures moves from the center outward creating butterfly wing vibrations on the left of the piece and a storm at sea on the right side of the piece.
The mythical goddess/queen figure, who showed up to me as benevolent and compassionate with powerful ram horns which give her the power gift of reverence and might, can be seen as flying in horizontal position holding a point of energy with her left hand that can be seen as either holding the cacophony of wind and storm tumult at bay, or pulling the source of that storm of energy along with her. She is holding a tiny sailboat in her right hand. She holds it near the lute player whose large cloaked arm holds a feminine character in his sleeve. His face is the King’s face that can be found in the three faced musician facing right (the figure’s left). The other two musicians are playing a ukelele type instrument and a double-headed woodwind that blows the monarch butterfly wing sound waves.
On the left hand side of the kitchen, I created a single musician standing alone playing with energy lines coming out from the top of his head and cascading away to the left. He plays a double barreled lute like instrument that I am not even sure exists, but I found some interesting images on line with this kind of shape. Beautiful instruments!!! He has a black face and to me seems to be playing perhaps some sort of jazz. There are nine faces in the main backsplash, which happens to be my lucky number.
Here’s a piece that will hang above a fireplace. We took this image in the hallway of our studio and then
were able to successfully capture the undulation and carving by taking a side view image of a few of
the tiles.
Our tiles are sculptural–they are dimensional due to the way that we shape the clay over forms.
We then add texture by carving the design through a layer of slip. This technique is called sgraffito.
And the icing on the cake is our glaze. We have 33 to choose from. This piece is glazed in yellow,
teal, adobe and turquoise. We used these glazes to achieve a matte finish, which was the customer’s choice.
This piece was commissioned by Corporate Art Group, East Greenwich, RI for a residential installation.
This image shows the tiles drying before they get bisque-fired.
The piece will be glazed in Adobe, Yellow, Teal and Turquoise. These glazes will be sprayed onto the tiles so that the colors flow from tile to tile, as in the image below:
Natalie and her fiance, Nick, are installing their artwork at Chabot College, Hayward, CA.
This is the final installation of the public art grant the studio was awarded in 2010.
This is the Rose Circle installation: concrete tiles made by Natalie and her fiance, Nick (Hand
of Man Builders). The tiles are acid-stained, concrete positives of Natalie’s original carved
clay tiles.


This piece, the Blue Ripple Mandala is being installed on a 20-foot wall.
Natalie recently carved this tile, Train, Coming Home. It measures 16.5″ x 16.5″ and sells for $750, plus shipping.
The tile is ready to hang, with our custom backing already on it.
Natalie wanted to give a sense of space, thinking of this train traveling in the wide-open Midwest.
The lines in this design evoke the flat plains and big sky of the Midwest. An old Plains town
architecture is seen in the building on the right. There’s a dream-like quality to this piece as well, given
the incongruence of the cross-cutting train tracks intersecting the lines of geography that disappear into
the distance.
Contact the studio if you’d like to purchase this piece: 802.254.9761 or info@natalieblake.com
Our town, Brattleboro, VT, has an old Amtrak station, just next to the Connecticut River that divides Vermont and New Hampshire. These old train stations are familiar places, welcoming visitors to each town along the river.
Tourists arrive, family comes home and many of us launch from here into the wider world.
This image is of the original Brattleboro train station, where the first train arrived in Brattleboro from Boston in
February 1849. In 1966 regular passenger service was terminated and this station was closed. Today
the building serves as the Brattleboro Museum and Art Center.
Lovely Mural for Texas Restaurant
This piece will be installed in the Cedars Woodfire Grill pizza restaurant in Frisco, TX. We made a similar mural for their Plano, TX location. Stay tuned for installation shots in the next month.
A mural like this is a soothing presence in a restaurant where the atmosphere can seem hustle-bustle, yet the aim is for calm and relaxing. I guess that’s why our Tree of Life is installed in so many hospital settings.
A homeowner in Hill Country, Texas contacted us this spring. He was looking for decorative accent tiles to grout into a stone wall that surrounds his pool. He had heard about our work from his pool salesman.
He looked through our Tile Catalogue and picked these tiles.
According to the homeowner, “the designs we saw on the website were just what we were seeking…perfect colors, suitably artistic and subtle. A great complement for our stone.”
However, he wanted the tiles to be bigger: “Customer service was excellent beginning to end. The tiles shown on the website were 12″ squares which were a bit small for the size of the wall. A quick call to Ellen and the problem was solved … she informed us that they could be made in 14″ squares. Moreover, she helped us understand the exterior mounting options and procedure.”
Here is the image of his pool, showing two of the tiles, grouted into the stone wall.
There are two tiles in this picture, one on either side of the waterfall.
I asked him how he likes the final product. Here’s what he said: “The tiles are beautiful! They really add just the right accent to our pool. Everyone, including our pool company president, who sees the pool is suitably impressed. The tiles turned our Hill Country pool into an artistic statement. We love it!”
Natalie and Nick (her fiance) are working on creating “The Rose Circle,” an installation comprised of concrete tile. The piece will be installed on the campus of Chabot College, as part of a large public art grant the studio was awarded last year. This piece requires Natalie to make a “positive” tile — a thick hand-carved piece, 25 x 22 inches. Natalie and her helper, her niece Magda who has just graduated from high school and is working in her studio for the summer, have rolled four tiles that are about 1.5 inches thick. Using a technique Natalie used in a workshop through the North Studio Conference by ceramic artist Marc Leuthold, Natalie cuts the design out of the thick tile with a paring knife. The leather hard tiles are covered for two days with a latex rubber compound that will stiffen to a flexible perfect casting of the tile. Fine concrete will then be poured into these molds to re-create Natalie’s original design in durable concrete. After drying for a week or two, the concrete tiles will be colorized with acid stains.
Here is an image of the “positive” tile. Click on the image to watch a short video of Natalie carving it:
Here are the rubber molds Nick made.